A Humbling Experience
Continuing with the theme of Humility (apparently), I was a guest on a show this past weekend on WGN Radio. It was one of those deals where the host helps promote a theatre show by having the actors do a short excerpt. The performance went fine, but what stuck with me was how VERY different live radio broadcasting is from, say, commercial radio voiceovers. I was frankly in awe of our director, who's done live radio before, because he was so... um... "immediate", I guess. He could verbally react — seemingly within a nanosecond — of any question put to him, and coherently as well (no "umm" or "ahh" spacefillers). Matter of fact, one of my fellow cast members was asked a question on air, and though they answered after maybe at most a second of thinking how to respond, both Host and Director went into a happy riff about how brain-dead theatre actors are in the morning.
Then there was the issue of my headphones. I figured they'd be dead until we went live, so I wasn't concerned that I couldn't hear anything beforehand, but when we did start our segment my cans were still dead and I felt helpless. I looked to the booth for the sound engineer since, in commercial voiceovers, the engineer is god-in-charge-of-all-equipment (and woe betide the actor who messes with anything), but the engineer had actually stepped out of the booth and was nowhere to be seen. I made a motion to our director indicating my plight and he — with not a little exasperation on his face — calmly walked over and twisted a knob that was basically right in front of me. That brought up everyone else's voice in my ears, but strangely not my own, so I just forged ahead and made guesstimates as to how far I had to be from the mike to keep from blowing it out on some of my louder lines (from talking later to those who heard the show, I apparently succeeded in this).
Between these experiences and numerous small other instances during that hour or so, I came away feeling like a bit of a moron, at least when it came to live radio. Which, since I'm a glass-half-full kind of guy, isn't all that bad — it's good to keep your talent and experience-to-date in perspective, and realize that you have much to learn from other performers and in other areas of live performance. Humbling experiences can be good teachers. In fact, I daresay the line between "humbling" and "humiliating" is just how well you're able to put your ego aside so you can draw good information from the whole thing.
Then there was the issue of my headphones. I figured they'd be dead until we went live, so I wasn't concerned that I couldn't hear anything beforehand, but when we did start our segment my cans were still dead and I felt helpless. I looked to the booth for the sound engineer since, in commercial voiceovers, the engineer is god-in-charge-of-all-equipment (and woe betide the actor who messes with anything), but the engineer had actually stepped out of the booth and was nowhere to be seen. I made a motion to our director indicating my plight and he — with not a little exasperation on his face — calmly walked over and twisted a knob that was basically right in front of me. That brought up everyone else's voice in my ears, but strangely not my own, so I just forged ahead and made guesstimates as to how far I had to be from the mike to keep from blowing it out on some of my louder lines (from talking later to those who heard the show, I apparently succeeded in this).
Between these experiences and numerous small other instances during that hour or so, I came away feeling like a bit of a moron, at least when it came to live radio. Which, since I'm a glass-half-full kind of guy, isn't all that bad — it's good to keep your talent and experience-to-date in perspective, and realize that you have much to learn from other performers and in other areas of live performance. Humbling experiences can be good teachers. In fact, I daresay the line between "humbling" and "humiliating" is just how well you're able to put your ego aside so you can draw good information from the whole thing.


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